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On a knotted pile carpet formally, a "supplementary weft cut-loop pile" carpet , the structural weft threads alternate with a supplementary weft that rises at right angles to the surface of the weave.
This supplementary weft is attached to the warp by one of three knot types see below , such as shag carpet which was popular in the s, to form the pile or nap of the carpet.
Knotting by hand is most prevalent in oriental rugs and carpets. Kashmir carpets are also hand-knotted. Pile carpets, like flat carpets, can be woven on a loom.
Both vertical and horizontal looms have been used in the production of European and oriental carpets. The warp threads are set up on the frame of the loom before weaving begins.
A number of weavers may work together on the same carpet. A row of knots is completed and cut. The knots are secured with usually one to four rows of weft.
The warp in woven carpet is usually cotton and the weft is jute. There are several styles of knotting, but the two main types of knot are the symmetrical also called Turkish or Ghiordes and asymmetrical also called Persian or Senna.
Contemporary centres of knotted carpet production are: The importance of carpets in the culture of Turkmenistan is such that the national flag features a vertical red stripe near the hoist side, containing five carpet guls designs used in producing rugs.
Kashmir is known for handknotted carpets of silk or wool. These are carpets that have their pile injected into a backing material, which is itself then bonded to a secondary backing made of a woven hessian weave or a man made alternative to provide stability.
The pile is often sheared in order to achieve different textures. This is the most common method of manufacturing of domestic carpets for floor covering purposes in the world.
A flatweave carpet is created by interlocking warp vertical and weft horizontal threads. Types of oriental flatwoven carpet include kilim , soumak , plain weave , and tapestry weave.
Types of European flatwoven carpets include Venetian, Dutch, damask , list, haircloth , and ingrain aka double cloth, two-ply, triple cloth, or three-ply.
A hooked rug is a simple type of rug handmade by pulling strips of cloth such as wool or cotton through the meshes of a sturdy fabric such as burlap.
This type of rug is now generally made as a handicraft. The process of creating a hooked rug is called Rug hooking . Their pattern is established by the application of stitches to a cloth often linen base.
The tent stitch and the cross stitch are two of the most common. Embroidered carpets were traditionally made by royal and aristocratic women in the home, but there has been some commercial manufacture since steel needles were introduced earlier needles were made of bone and linen weaving improved in the 16th century.
Mary, Queen of Scots , is known to have been an avid embroiderer. They often incorporate animal heraldry and the coat of arms of the maker.
Production continued through the 19th century. Victorian embroidered carpet compositions include highly illusionistic, 3-dimensional flowers.
Patterns for tiled carpets made of a number of squares, called Berlin wool work , were introduced in Germany in , and became extremely popular in England in the s.
Embroidered carpets can also include other features such as a pattern of shapes, or they can even tell a story. Carpet can be formulated from many single or blended natural and synthetic fibres.
Fibres are chosen for durability, appearance, ease of manufacture, and cost. Since the 20th century, nylon is one of the most common materials for the construction of carpets.
Both nylon 6 and nylon are used. Nylon can be dyed topically or dyed in a molten state solution dying. Nylon can be printed easily and has excellent wear characteristics.
In carpets, nylon tends to stain easily because of the dye sites which exist on the fibre. These dye sites need to be filled in order to give nylon carpet any type of stain resistance.
As nylon is petroleum-based it varies in price with the price of oil. Polypropylene , a polyolefin stiffer than the cheaper polyethylene , is used to produce carpet yarns because it is still less expensive than the other materials used for carpets.
It is difficult to dye and does not wear as well as wool or nylon. Polypropylene, sometimes referred to simply as "olefin", is commonly used to construct berber carpets.
Large looped olefin berber carpets are usually only suited for light domestic use and tend to mat down quickly.
Berber carpets with smaller loops tend to be more resilient and retain their new appearance longer than large looped berber styles. Commercial grade level-loop carpets have very small loops, and commercial grade cut-pile styles can be well constructed.
When made with polypropylene, commercial grade styles wear very well, making them very suitable for areas with heavy foot traffic such as offices.
Polypropylene carpets are known to have good stain resistance, but not against oil- based agents. If a stain does set, it can be difficult to clean.
Outdoor grass carpets are usually made from polypropylene. Wool has excellent durability, can be dyed easily and is fairly abundant. When blended with synthetic fibres such as nylon the durability of wool is increased.
Wool is relatively expensive and consequently it only comprises a small portion of the market. The polyester known as "PET" polyethylene terephthalate is used in carpet manufacturing in both spun and filament constructions.
After the price of raw materials for many types of carpet rose in the early s, polyester became more competitive. Polyester has good physical properties and is inherently stain-resistant because it is hydrophobic, and, unlike nylon, does not have dye sites.
Colour is infused in a molten state solution dyeing. Polyester has the disadvantage that it tends to crush or mat down easily. It is typically used in mid- to low-priced carpeting.
DuPont subsequently commercialized a biological process for making 1,3-propanediol from corn syrup , imparting significant renewable content on the corresponding Sorona polyester carpet fibers.
Acrylic is a synthetic material first created by the Dupont Corporation in but has gone through various changes since it was first introduced. In the past, acrylic carpet used to fuzz or "pill" easily.
This happened when the fibres degraded over time and short strands broke away with contact or friction. Over the years, new types of acrylics have been developed to alleviate some of these problems, although the issues have not been completely removed.
Acrylic is fairly difficult to dye but is colourfast, washable, and has the feel and appearance of wool, making it a good rug fabric. Although claimed by many cultures, this square tufted carpet, almost perfectly intact, is considered by many experts to be of Caucasian, specifically Armenian, origin.
The rug is weaved using the Armenian double knot, and the red filaments color was made from Armenian cochineal. At the ruins of Persepolis in Iran where various nations are depicted as bearing tribute, the horse design from the Pazyryk carpet is the same as the relief depicting part of the Armenian delegation.
There has recently been a surge in demand for Afghan carpets, although many Afghan carpet manufacturers market their products under the name of a different country.
Famous Afghan rugs include the Shindand or Adraskan named after local Afghan villages , woven in the Herat area in western Afghanistan.
Afghan carpets are commonly known as Afghan rugs. Afghan carpets are a unique and well recognized handmade material design that originates from Afghanistan.
They often exhibit intricate detailing, mainly using traditional tribal designs originating from the Turkmen, Kazakh, Baloch, and Uzbeks.
The hand-made rugs come in many patterns and colors, yet the traditional and most common example of Afghan carpet is the octagon-shaped elephant-foot Bukhara.
The rugs with this print are most commonly red in color. Many dyes, such as vegetable dyes , are used to impart rich color.
The historian Herodotus writing in the 5th century BC also informs us that the inhabitants of the Caucasus wove beautiful rugs with brilliant colors which would never fade.
The oldest, single, surviving knotted carpet in existence is the Pazyryk carpet, excavated from a frozen tomb in Siberia, dated from the 5th to the 3rd century BC, now in the Hermitage Museum in St.
This square tufted carpet, almost perfectly intact, is considered by many experts to be of Caucasian, specifically Armenian, origin.
The eminent authority of ancient carpets, Ulrich Schurmann, says of it, "From all the evidence available I am convinced that the Pazyryk rug was a funeral accessory and most likely a masterpiece of Armenian workmanship".
Armenian carpets were renowned by foreigners who travelled to Artsakh; the Arab geographer and historian Al-Masudi noted that, among other works of art, he had never seen such carpets elsewhere in his life.
Art historian Hravard Hakobyan notes that "Artsakh carpets occupy a special place in the history of Armenian carpet-making.
They were diverse in style, rich in colour and ornamental motifs, and were even separated in categories depending on what sort of animals were depicted on them, such as artsvagorgs eagle-carpets , vishapagorgs dragon-carpets and otsagorgs serpent-carpets.
The art of carpet weaving was in addition intimately connected to the making of curtains as evidenced in a passage by Kirakos Gandzaketsi , a 13th-century Armenian historian from Artsakh, who praised Arzu-Khatun, the wife of regional prince Vakhtang Khachenatsi, and her daughters for their expertise and skill in weaving.
The Gultapin excavations discovered several carpet weaving tools which date back to the 4th-3rd millennium BC. According to Iranica Online " The main weaving zone was in the eastern Transcaucasus south of the mountains that bisect the region diagonally, the area now comprised in the Azerbaijan SSR; it is the homeland of a Turkic population known today as Azeri.
Other ethnic groups also practiced weaving, some of them in other parts of the Caucasus, but they were of lesser importance.
While traditionally schools are divided into four main branches, each region has its own version of the carpets. The Schools are divided into four main branches: As opposed to most antique rug manufactory practices, Chinese carpets were woven almost exclusively for internal consumption.
China has a long history of exporting traditional goods; however, it was not until the first half of the 19th century that the Chinese began to export their rugs.
Once in contact with western influences, there was a large change in production: Chinese manufactories began to produce art-deco rugs with commercial look and price point.
The centuries-old Chinese textile industry is rich in history. While most antique carpets are classified according to a specific region or manufactory, scholars attribute the age of any specific Chinese rug to the ruling emperor of the time.
Carpet weaving may have been introduced into the area as far back as the eleventh century with the coming of the first Muslim conquerors, the Ghaznavids and the Ghauris , from the West.
It can with more certainty be traced to the beginning of the Mughal Dynasty in the early sixteenth century, when the last successor of Timur, Babar, extended his rule from Kabul to India to found the Mughal Empire.
Under the patronage of the Mughals, Indian craftsmen adopted Persian techniques and designs. Carpets woven in the Punjab made use of motifs and decorative styles found in Mughal architecture.
Akbar , a Mogul emperor, is accredited to introducing the art of carpet weaving to India during his reign.
The Mughal emperors patronized Persian carpets for their royal courts and palaces. During this period, he brought Persian craftsmen from their homeland and established them in India.
Initially, the carpets woven showed the classic Persian style of fine knotting. Gradually it blended with Indian art. Thus the carpets produced became typical of the Indian origin and gradually the industry began to diversify and spread all over the subcontinent.
During the Mughal period, the carpets made on the Indian subcontinent became so famous that demand for them spread abroad.
These carpets had distinctive designs and boasted a high density of knots. Carpets made for the Mughal emperors, including Jahangir and Shah Jahan, were of the finest quality.
The carpet industry in India flourished more in its northern part with major centres found in Kashmir, Jaipur, Agra and Bhadohi. Indian carpets are known for their high density of knotting.
Hand-knotted carpets are a speciality and widely in demand in the West. The carpet industry in India has been successful in establishing social business models that help underprivileged sections of the society.
Notable examples of social entrepreneurship ventures are Jaipur rugs ,  Fabindia. Another category of Indian rugs which, though quite popular in most of the western countries, have not received much press, is hand-woven rugs of Khairabad Citapore rugs.
Citapore rugs made in Khairabad and neighbouring areas are all hand-woven and distinct from tufted and knotted rugs. Flat weave is the basic weaving technique of Citapore rugs and generally cotton is the main weaving material here but jute, rayon and chenille are also popular.
IKEA and Agocha have been major buyers of rugs from this area. The art of weaving developed in South Asia at a time when few other civilizations employed it.
Excavations at Harappa and Mohenjo-Daro — ancient cities of the Indus Valley Civilization — have established that the inhabitants used spindles and spun a wide variety of weaving materials.
Some historians consider that the Indus Valley civilization first developed the use of woven textiles. Pakistani craftsmen have the capacity to produce any type of carpet using all the popular motifs of gulls, medallions, paisleys, traceries, and geometric designs in various combinations.
Chaudary Mukhtar Ahmad Member son of Maher Ganda introduced and taught this art to locals and immigrants.
He is considered founder of this industry in Pakistan. Sangla Hill is now a focal point in Carpet Industry in Pakistan.
Almost all the exporters and manufacturers who are running their business at Lahore, Faisalabad and Karachi have their area offices in Sangla Hill.
The Persian carpet is a part of Persian Iranian art and culture. Carpet- weaving in Persia dates back to the Bronze Age.
The earliest surviving corpus of Persian carpets come from the Safavid dynasty — in the 16th century. However, painted depictions prove a longer history of production.
There is much variety among classical Persian carpets of the 16th and 17th century. Common motifs include scrolling vine networks, arabesques , palmettes , cloud bands , medallions, and overlapping geometric compartments rather than animals and humans.
The majority of these carpets are wool, but several silk examples produced in Kashan survive. Scandinavian rugs are among the most popular of all weaves in modern design.
Preferred by influential modernist thinkers, designers, and advocates for a new aesthetic in the mid-twentieth century, Scandinavian rugs have become very widespread in many different avenues of contemporary interior design.
With a long history of adaptation and evolution, the tradition of Scandinavian rug-making is among the most storied of all European rug-making traditions.
Turkish carpets also known as Anatolian , whether hand knotted or flat woven, are among the most well known and established hand crafted art works in the world.
The carpets are always hand made of wool or sometimes cotton, with occasional additions of silk. These carpets are natural barriers against the cold.
Turkish pile rugs and kilims are also frequently used as tent decorations, grain bags, camel and donkey bags, ground cushions, oven covers, sofa covers, bed and cushion covers, blankets, curtains, eating blankets, table top spreads, prayer rugs and for ceremonial occasions.
The majority of them represent geometric and stylized forms that are similar or identical to other historical and contemporary designs.
The knotted rug is believed to have reached Asia Minor and the Middle East with the expansion of various nomadic tribes peoples during the latter period of the great Turkic migration of the 8th and 9th centuries.
Famously depicted in European paintings of The Renaissance , beautiful Anatolian rugs were often used from then until modern times, to indicate the high economic and social status of the owner.
Women learn their weaving skills at an early age, taking months or even years to complete the beautiful pile rugs and flat woven kilims that were created for their use in every aspect of daily life.
As is true in most weaving cultures, traditionally and nearly exclusively, it is women and girls who are both artisan and weaver.
It is useful to distinguish between the original Turkmen tribal rugs and the rugs produced in large numbers for export in the s, mainly in Pakistan and Iran.
The original Turkmen rugs were produced by the Turkmen tribes who are the main ethnic group in Turkmenistan and are also found in Afghanistan and Iran.
They are used for various purposes, including tent rugs, door hangings and bags of various sizes. Oriental carpets began to appear in Europe after the Crusades in the 11th century, due to contact by Crusaders with Eastern traders.
Until the midth century they were mostly used on walls and tables. Except in royal or ecclesiastical settings they were considered too precious to cover the floor.
Starting in the 13th century oriental carpets begin to appear in paintings notably from Italy, Flanders, England, France, and the Netherlands.
Although isolated instances of carpet production pre-date the Muslim invasion of Spain, the Hispano-Moresque examples are the earliest significant body of European-made carpets.
Documentary evidence shows production beginning in Spain as early as the 10th century AD. The earliest extant Spanish carpet, the so-called Synagogue carpet in the Museum of Islamic Art, Berlin, is a unique survival dated to the 14th century.
The earliest group of Hispano-Moresque carpets, Admiral carpets also known as armorial carpets , has an all-over geometric, repeat pattern punctuated by blazons of noble, Christian Spanish families.
The variety of this design was analyzed most thoroughly by May Beattie. Many of the 15th-century, Spanish carpets rely heavily on designs originally developed on the Anatolian Peninsula.
Carpet production continued after the Reconquest of Spain and eventual expulsion of the Muslim population in the 15th century.
Two of the most popular motifs are wreaths and pomegranates. During the Moorish Muslim period production took place in Alcaraz in the province of Murcia, as well as being recorded in other towns.
Carpet production after the Christian reconquest continued in Alcaraz while Cuenca , first recorded as a weaving centre in the 12th century, became increasingly important, and was dominant in the 17th and early 18th century.
Cuenca was closed down by the royal degree of Carlos IV in the late 18th century to stop it competing with the new workshop.
Madrid continued as a weaving centre through to the 20th century, producing brightly coloured carpets most of whose designs are strongly influenced by French carpet design, and which are frequently signed on occasions with the monogram MD; also sometimes with the name Stuyck and dated in the outer stripe.
After the Spanish civil war General Franco revived the carpet weaving industry in workshops named after him, weaving designs that are influenced by earlier Spanish carpets, usually in a very limited range of colours.
Pirot carpet [a] Serbian: Pirot kilims with some ornaments and 96 different types have been protected by geographical indication in They are one of the most important traditional handicrafts in Serbia.
In the late 19th century and up to the Second World War, Pirot kilims have been frequently used as insignia of Serbian and Yugoslav royalty.
This tradition was revived in when Pirot kilims were reintroduced for state ceremonies in Serbia. Carpet weaving in Pirot dates back to the Middle Ages.
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